In two portraits of seafaring religious zealots, the directors Lav Diaz and Mona Fastvold employ bold formal devices to hold ...

Everyone seems to love “The Pitt.” Is that especially true for doctors? I certainly enjoyed it. “The Pitt” is one of the more ...

It’s as if the show’s creators absorbed every important conversation in health care today—and somehow transfigured it into ...

Also: Bang on a Can and St. Vincent in Richard Foreman’s “What to Wear,” the celestial folk of Cassandra Jenkins, Jennifer ...

Shannon had played a trailer-trash fuckup in Letts’s early hit, the nihilist neo-noir “Killer Joe,” and for “Bug,” a more ...

There’s no Trump Doctrine, just a map of the world that the President wants to write his name on in big gold letters.

Just a few days before Christmas, about thirty ambassadors were recalled from their posts over vague accusations of ...

In muckily deliberative masterworks such as “Sátántangó” and “The Turin Horse,” the Hungarian director monumentalized the ...

A onetime adviser to Marco Rubio and Mitt Romney argues that the U.S. has been “too cautious” in its use of force since the ...

The previous day, Kristi Noem, the Secretary of Homeland Security, had accompanied ICE officers on the deportation raids that ...

“THE WILLOW AND I,” at the Windsor, is an example of a rather interesting idea suffering from confused and haphazard treatment, and also, perhaps, from the arbitrary time requirements of the theatre.

At the Intrepid Museum, the “House of Dynamite” director chats with an arms-control expert about duck and cover, radioactive ...